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I had passively avoided Pier Paolo Pasolini’s last film (he was murdered shortly after it was made) Salo or the 120 Days of Sodom (1975) for years. I didn’t go out of my way not to see it, though a ...
Salò, or the 120 Days of Sodom (Italian: Salò o le 120 giornate di Sodoma), billed on-screen as Pasolini's 120 Days of Sodom on English-language prints [5] and commonly referred to as simply Salò (Italian: [saˈlɔ]), is a 1975 political art horror film directed and co-written by Pier Paolo Pasolini.
Salò, or the 120 Days of Sodom: Directed by Pier Paolo Pasolini. With Paolo Bonacelli, Giorgio Cataldi, Uberto Paolo Quintavalle, Aldo Valletti. In World War II Italy, four fascist libertines round up nine adolescent boys and girls and subject them to 120 days of torture.
Tragically, Pasolini was found brutally murdered weeks before the release of his final work, the grotesque, Marquis de Sade–derived Salò, or the 120 Days of Sodom (1975), still one of the world’s most controversial films.
Watching Pier Paolo Pasolini’s Salò, or the 120 Days of Sodom today is as extreme and at times unbearable an experience as it was 50 years ago, when it marked its troubled premiere.
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