The New York Times: How Directors Mine the Gold at the Heart of Wagner’s ‘Ring’
Productions take very different approaches to the central symbol of this epic cycle, treating Wagner with daring freedom. By Zachary Woolfe Is it oil? Is it youth? Is it tactile? Invisible? For Wagner ...
MSN: ‘Wagner and the Creation of the Ring’ Review: Back to Valhalla
The world had plenty of reasons to forget Richard Wagner’s four-opera cycle, “Der Ring des Nibelungen.” None of the four makes sense without the others—they premiered together in 1876—but the prospect ...
The New York Times: Review: The Philharmonic Breezes Through Wagner’s Epic ‘Ring’
Rutland Herald: The power in Wagner’s ‘Ring’ Cycle: Brünnhilde must suffer to save the world
On Sunday at Brattleboro’s Latchis Theatre, Vermont’s first-ever Wagner “Ring” Cycle came to a close with “Gotterdammerung,” or “Twilight of the Gods.” At its center is Brunnhilde,” a goddess and ...
The power in Wagner’s ‘Ring’ Cycle: Brünnhilde must suffer to save the world
Yakima Herald-Republic: Tacoma Opera takes an epic leap into the world of Wagner’s ‘Ring’
Tacoma Opera takes an epic leap into the world of Wagner’s ‘Ring’
The New York Times: La Scala’s First ‘Ring’ in a Decade Passes the Wagnerian Flame
Performances in N.Y.C. Advertisement Supported by Two conductors — a mentor and a protégé, both trained as pianists — bring precision and lyricism to the first new staging of Wagner’s epic in a decade ...
The New York Times: Review: Berlin Takes Wagner’s Approach to Staging the ‘Ring’