Director François Ozon’s new film adaptation of Albert Camus’s novel L’Étranger (The Outsider, 1942) confronts a considerable task: turning a brief, philosophical novel into a cinematic experience.
The Guardian: The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic
The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic
Los Angeles Times: A new take on Camus’ ‘The Stranger’ by a veteran French stylist digs unto the unspoken
A new take on Camus’ ‘The Stranger’ by a veteran French stylist digs unto the unspoken
Based on the 1942 novella by Albert Camus, "The Stranger" proves cracklingly, urgently alive in a way most other literary adaptations could only dream of.
The Conversation: In The Stranger François Ozon captures the many ambiguities of Albert Camus’s novel
In The Stranger François Ozon captures the many ambiguities of Albert Camus’s novel
The Week: The Stranger: a ‘spellbindingly sleek’ adaptation of Albert Camus’ novella
Add Yahoo as a preferred source to see more of our stories on Google. In François Ozon’s adaptation of Albert Camus’ The Stranger, colonialism, hypocrisy, and ennui boil under the Algerian sun, ...
MSN: ‘The Arab' director on moving from docs to fiction for the story of an unnamed figure in Albert Camus' ‘The Stranger': Rotterdam
Albert Camus' novel The Stranger (L'étranger) recently got a cinema adaptation, under the same title, by French director François Ozon, which is part of the lineup of the 55th edition of the ...
‘The Arab' director on moving from docs to fiction for the story of an unnamed figure in Albert Camus' ‘The Stranger': Rotterdam